Art Manifesto
The city is not a place – it is a living, breathing organism.
It evolves. It mutates. It speaks in light, in movement, in code.
We are the architects of this world, sculpting with the raw materials of the city itself. DNA of
The Cities is not just an installation-it is a revolution. A convergence of the physical and digital.
A living artwork that pulses with the rhythm of the urban heartbeat. In the stillness of stone and steel, we have found a way to make the city breathe.
- The City Is Alive
A city is more than its buildings, its streets, its skyscrapers. The city is an organism. A complex,
ever-evolving system of human lives, stories, energy, and dreams. DNA of The Cities embodies this. Our sculptures are not static-they are alive, they breathe. Every curve, every twist, every light and shadow, is a reflection of the city’s pulse. At night, when the city falls into a quiet hum, our sculptures begin to inhale and exhale. Light flows through them, like oxygen filling lungs, activating the soul of the city. We do not simply create art. We give life to the very bones of the city. - The Fusion of Static and Kinetic
We are rewriting the boundaries between past and future, between stillness and movement. The DNA of The Cities sculptures are rooted in the traditions of both static and kinetic art, but transcend them, evolving into something entirely new. They stand as monumental forms, solid and permanent, yet they are always shifting. Breathing. Changing. They are not bound by time-they stretch beyond it,
embodying both the history of the city and the everchanging future we will build. This is the intersection of the eternal and the fleeting. - The Light of a City
Light is the language of life. Light is the city’s heartbeat, its pulse, its voice. As the sun sets, the DNA of The Cities sculptures transform into something new. They are no longer just structures-they are lamps. They breathe with light, with the city’s energy flowing through every crack, every hole, every hollow. Each sculpture becomes a living beacon, pulsing with the stories and dreams of the city. When the city sleeps, we shine the light of its future. - AI: The New Artist
We are entering a new era-one where artificial intelligence is not just a tool, but an artist in its own right. DNA of The Cities invites AI into the creative process. Through generative art, through
algorithms and machine learning, the sculptures will evolve in real-time, adapting and shifting in response to the environment. AI is not a force outside the art-it is the very marrow of it. It learns, it creates, it interacts. The art does not just exist-it grows, it thinks, it breathes alongside us.
Through this marriage of art and technology, we dismantle the boundaries of traditional
authorship. The artist is no longer the sole creator-the installation, the audience, the city itself
all become collaborators in this evolving narrative. We do not just observe the art-we become
part of it. - Art as a Living Archive
Art is not just meant to be seen; it is meant to speak. DNA of The Cities is not just a monument;
it is a platform for communication. Embedded within the sculptures are screens that transmit more than just information-they carry the soul of the city. Cultural events.
Public announcements. Community stories. They bring the city to life in a digital realm, blending
the organic with the virtual. Art is not passive; it is an active medium that informs, connects, and inspires. - A New Language of Interaction
This is not a passive art experience. This is an invitation to participate. To shape, to influence, to create. Through the integration of AI and interactive elements, the audience becomes a part of the
artwork. Each interaction, each decision, is an imprint on the sculpture’s evolving form. You are not just
looking at art-you are becoming part of it. The city is not just built by architects-it is built by all of us. - The City Is Our Canvas
We are not just observing the city; we are shaping it. DNA of The Cities transforms urban space into a living canvas. The installation itself becomes an embodiment of the city’s soul- its struggles, its
triumphs, its energy. Through the fusion of sculpture, light, artificial intelligence, and community
engagement, we breathe new life into the city’s very structure. This is not just about creating
something beautiful. This is about creating something that speaks. That lives. That transforms. This is art that does not stand still-it grows, it mutates, it evolves in real-time. It becomes an inseparable part of the city itself. - A Call to the Future
This is not the future of art; this is the art of the future. DNA of The Cities is a call to everyone who walks through the streets, who breathes the air of the city, who dreams of a new world. It is a call to shape our future, to engage with art, to create a new urban experience. This is a space where the city and the individual meet-where the future is not just imagined, but made.
The city is not just a place-it is a living, breathing masterpiece. And we, together, will create its next chapter.
DNA of The Cities is a call to action.
A call to change.
A call to create.
Let us breathe life into the city. Let us make the future. Let us create together.
